- L.A. Confidential is "tough, gorgeous and vastly entertaining" (James Maslin, The New York Times) and won 1997 Academy Awards for Best Supporting Actress (Kim Basinger) and Best Adapted Screenplay (Brian Helgeland & Curtis Hanson). Three cops, a call girl, a mysterious millionaire, a tabloid journalist fuel a labyrinthine plot rife with mystery, ambition, romance and humor. Format: DVD MOVI
Landmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chin! atown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorabl! e cameo as the thug who tangles with Nicholson's nose. One of ! the grea test, most completely satisfying crime films of all time.
--Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of a! ll time.
--Anne HurleyLandmark movie in the film noir tradition, Roman Polanski's
Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne,
Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in ! the Chandler mold, who during a routine straying-spouse invest! igation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time.
--Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigs! aw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time.
--Anne HurleyJack Nicholson returns as private eye Jake Gittes in this atmospheric Chinatown follow-up that's hit upon "the elusive sequel formula for somehow enhancing a great original" (Mike Clark, USA Today).Much has changed since we last saw Jake. The war has come and gone; 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: "Nine times out of ten, if you foll! ow the money you will get to the truth." And that's the trail ! he follo ws when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil--and to Jake's own past.Set more than a decade after the story in
Chinatown, this 1990 sequel brings Jack Nicholson back to the screen as L.A. private detective Jake Gittes. Older, fatter, worn, and frustrated, the Jake of 1948 is still haunted by the tragic events of the earlier film. While investigating a case involving adultery and questionable land dealings by an L.A. tycoon (Harvey Keitel as the other Jake), Gittes unexpectedly confronts a few old ghosts and discovers that the resource of choice in Southern California--one for which people die--is no longer water but oil. The film had a notorious production history, with Nicholson taking over the project from writer-director Robert Towne, and the dense plot can be difficult to follow. But if
The Two Jakes doesn't measure up to the legendary status of its stylish predecessor, the film does satisfy o! n its own terms and brings the events of
Chinatown to a moving conclusion. Terrific work by Keitel and supporting players Meg Tilly, Madeleine Stowe, Eli Wallach, and Ruben Blades.
--Tom KeoghLA CONFIDENTIAL:SPECIAL EDITION - DVD MovieIn a time when it seems that every other movie makes some claim to being a film noir,
L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume,
The Big Nowhere, and
White Jazz)--a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films,
Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale! ; unfortunately, her male costars are so uniformly fine that t! hey may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey, and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical, and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion.
--Jim Emerson
