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BIG MOMMA'S HOUSE 2 ORIGINAL MOVIE POSTER

  • 27X41
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
BIG MOMMA'S HOUSE 2 - DVD MovieFBI AGENT MALCOLM TURNER AND HIS STEPSON TRENT GO UNDERCOVER AT AN ALL-GIRLS PERFORMING ARTS SCHOOL AFTER TRENT WITNESSES A MURDER.Martin Lawrence returns as Master of Disguise--well, just one disguise, honestly, but he's really, really good at it--FBI agent Malcolm Turner in the second sequel to 2000's blockbuster Big Momma's House. Here, the agent must throw on the padding to pose as the housemother at an exclusive Female School of the Arts, in an attempt to ferret out a murderous Russian Mobster. The twist? This time he's forced to bring his stepson (Tropic Thunder's Brandon T. Jackson) along with him. The presence of Jackson makes this genially mellow sequel feel like a low-i! mpact passing of the torch, with Lawrence (who also executive produced) seemingly content to let his younger costar handle most of the cross-dressing comedic heavy lifting (ballet lessons, slumber parties, etc.). Only a scene where Big Momma faces off in a game of Twister against an equally gargantuan security guard (an uncredited and very funny Faizon Love) really feels of a piece with the earlier films. Stranger still is the inclusion of a half-dozen musical numbers, including one in a lunchroom that blossoms into full-out High School Musical territory. Awkward as these song-and-dance interludes often are, the filmmakers should deserve some credit for attempting to inject some form of new energy into a scenario that could definitely use a boost. Longtime fans of the franchise and Lawrence, however, may wonder if someone at Fox accidentally let Glee into the telepod. --Andrew WrightBIG MOMMA'S HOUSE - DVD MovieNo one tries very hard in Big Momma's ! House, so your enjoyment of this Martin Lawrence vehicle ! pretty m uch depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large.

Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a m! idwife), but ruling at basketball and self- defense and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3).

Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs. Doubtfire anytime soon. Big Momma's House benefits mainly by being first to the marketplace ahead of Eddie Murphy's The Nutty Professor 2: The Klumps; Murphy's work in prosthetics is far more accomplished, versatile, and funny. --David KronkeBig Momma's House 2
Disguise is the limit. "Martin Lawrence brings down the house" (E! Online) as crafty FBI agent Malcolm Turner who's willing to go through thick and thin in order to catch an escaped pris! oner. "Nia Long is captivating" (Checkout.com) as Sherry, the ! con's se xy former flame - she might have the skinny on millions in stolen loot, and she's headed for Georgia to lay low for a while. That's enough to send Malcolm deep undercover as Big Momma, an oversized, overbearing Southern granny with an attitude as tough as her pork chops. The result is an outrageous comedy of epic proportions, filled with nonstop laughs and plenty of action!

Big Momma's House 2
Nonstop laughs are back in the house with this super-sized sequel that's wilder, funnier, and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family! In the interest of national security, FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma?a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to complete his most outrageous assignment ever! No one tries very hard in Big M! omma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large.

Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable mot! ions--botching a meal and delivering a baby unconventionally ! (Big Mom ma's a midwife), but ruling at basketball and self- defense and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3).

Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs. Doubtfire anytime soon. Big Momma's House benefits mainly by being first to the marketplace ahead of Eddie Murphy's The Nutty Professor 2: The Klumps; Murphy's work in prosthetics is far more accomplished, versatile, and funny. --David KronkeBig Momma's House
Disguise is the limit. "Martin Lawrence brings down the house" (E! Online) as crafty FBI agent Malcolm Turner who's willing to go through thick and thin in order to catch an escaped! prisoner. "Nia Long is captivating" (Checkout.com) as Sherry, the con's sexy former flame - she might have the skinny on millions in stolen loot, and she's headed for Georgia to lay low for a while. That's enough to send Malcolm deep undercover as Big Momma, an oversized, overbearing Southern granny with an attitude as tough as her pork chops. The result is an outrageous comedy of epic proportions, filled with nonstop laughs and plenty of action!

Big Momma's House 2
Nonstop laughs are back in the house with this super-sized sequel that's wilder, funnier, and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family! In the interest of national security, FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma?a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to comp! lete his most outrageous assignment ever! PRODUCT DESCRIPTION:! At Movi estore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

50 First Dates (Widescreen Special Edition)

  • Bonus: Director and Cast Commentary
  • Bonus: Deleted Scenes
  • Bonus: The Dating Scene The Making of 50 First Dates
  • Bonus: Music Videos
  • Bonus: Comedy Central Reel Comedy Special
Bring home the UNRATED DVD that lets you go all the way on the first date! With outrageous extras and footage not shown in theaters, here's the ruder, cruder version of the no-holds-barred comedy from two of the twisted minds behind Scary Movie.

Julia Jones (Alyson Hannigan from the American Pie series) is looking for love in ALL the wrong movies, until she snags the man of her dreams! But now, a devious ex, a farting feline and eccentric in-laws threaten her perfect Hollywood wedding!In this spoof of romantic comedy films, Julia Jones faces trouble while looking for love when her ex-boyfriend, parents, and other obstacles get in the way of her happiness.
Genre: Feature Film-Co! medy
Rating: PG13
Release Date: 5-FEB-2007
Media Type: DVDSteve Carell and Tina Fey are “a match made in comedy heaven” (Ben Lyons, E!) in this uproarious adventure about an ordinary couple in the right place...on the wrong night. Phil and Claire Foster are a sensible, suburban husband and wife slogging through their daily lives and marriage. But a case of mistaken identity sets off a n outrageous chain of events involving small-time thieves, big-city mobsters, corrupt cops and a crazed cabbie, as the Fosters’ “date night” turns into a wild ride they’ll never forget! Tina Fey and Steve Carell are two of the most charming performers in entertainment today. Their goofy attractiveness makes them a perfect couple in Date Night: an unremarkable husband and wife from New Jersey, they get mistaken for crooks in Manhattan, sending them on a wild night replete with snooty wait staff, crooked cops, glitter-specked strippers, a shirtles! s superspy (Mark Wahlberg, as buff as ever), and a preposterou! s car ch ase. The movie makes no effort to be remotely plausible and the last third really goes off the rails, and it would probably be better served by less familiar faces in minor roles (bit parts are played by Mark Ruffalo, Kristen Wiig, Common, James Franco, Mila Kunis, William Fichtner, and Ray Liotta). It's disappointing that the dialogue doesn't crackle the way it does on 30 Rock or The Office. But Fey and Carell carry the movie along through sheer nerdy pluck. Rarely does a couple in a movie seem genuinely devoted to each other, not out of wild passion, but for all the things that a real marriage is built on: patience, shared humor, a willingness to deal with day-to-day annoyances, and simple affection. Fey and Carell seem like a couple you'd actually enjoy going out to dinner with. In today's world, that's more romantic than sunsets and bouquets of roses. --Bret FetzerIf you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fiancé who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is ! a relatively painless but forgettable first Date; you p! robably won't need a second assignation.--Steve Wiecking From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Adam Sandler and Drew Barrymore star together for the first time since The Wedding Singer in one of the funniest romantic comedies in years. Henry Roth (Adam Sandler) lives an enviable life in a Hawaiian paradise, spending every night with a beautiful tou! rist in search of an island fling. It is a sweet life with no strings attached, until he meets Lucy (Drew Barrymore). He and Lucy hit it off from the get go, but the next day she acts like she does not know him. Has his karma come around to kick him in the butt or what? Actually, Lucy has short-term memory loss, so every night all memory of her day is erased. But a man in love will go to any lengths to win over the girl of his dreams, and if that means having to find imaginative ways of doing it over again every day, then Henrys up for the challenge. Rob Schneider (Big Daddy) and Sean Astin (The Lord of the Rings trilogy) co-star in 50 First Dates, which will win you over every time you watch it!

Clash of the Titans [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled
In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

Fun With My 5 Senses: Activities to Build Learning Readiness (Williamson Little Hands Series)

Guerrilla - The Taking of Patty Hearst

Charlie Bartlett : Widescreen Edition

  • Widescreen
The kids at Western Summit High have "issues" and newcomer Charlie Bartlett is coming to their rescue. With a briefcase full of prescription pills and a head full of pop psychology this rebel with a cause brings hilarious help to the student body and unending grief to their neurotic principal Mr. Gardner (Robert Downey Jr.). Suddenly Charlie is the hottest man on campus and he's even caught the eye of Gardner's sultry daughter. An outrageous send-up of today's Prozac generation Charlie Bartlett has your prescription for laugh-out-loud insanity!System Requirements:Running Time: 97 minutesFormat: DVD MOVIE Genre: COMEDY/SCHOOL DAYS Rating: R UPC: 883904107750 Manufacturer No: M110775The ghost of Ferris Bueller haunts Charlie Bartlett. In John Hughes' classic comedy, a wily principal chases a clever student all over Chicago. In editor-turned-director Jon Poll's darker-hued ! enterprise, the hero of the title (Huff's preternaturally poised Anton Yelchin) gets kicked out of private school for selling fake IDs, so his heavily-medicated mother (a reliably excellent Hope Davis) transfers her son to a public institution. Looking like a junior stockbroker in navy blazer and attaché case, he turns into a bully piñata, until he joins forces with surly dealer Murphey (Walk the Line’s Tyler Hilton) to sell prescription medication and split the profits (Charlie secures the meds from an assortment of pill-pushing psychiatrists). By listening to their problems and offering well-researched advice, the unlicensed doc becomes the most popular kid on campus. He even captures the interest of self-possessed drama queen Susan (The 40-Year-Old Virgin’s Kat Dennings), daughter of booze-soaked Principal Gardner (Robert Downey Jr. in top form). Gardner doesn't trust Charlie, but lacks the evidence to confirm his suspicions--so he sets out to secure ! some. Once he installs surveillance cameras, the game is on. B! y the en d, the two competitors will have both lost... and won. Aside from Ferris Bueller's Day Off, Charlie Bartlett recalls Wes Anderson's Rushmore, except Poll's Gustin Nash-penned satire trades counter-cultural cool for trenchant commentary about quick-fix solutions to deep-seated dilemmas. That means fewer laughs than its forerunners, but Charlie Bartlett presents a more penetrating analysis of today’s generation gap. --Kathleen C. Fennessy

Beyond Charlie Bartlett


More "School Days" Comedies

The Charlie Bartlett Soundtrack

More from MGM



Stills from Charlie Bartlett







ROBERT DOWNEY JR ! STAR COLLECTION - DVD MovieNick and Norah's Infinite Playl! ist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates ! convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Raising Victor Vargas aims to please several audiences at once. It starts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own iden! tity, though Cera and Dennings make for an appealing couple an! d the su pporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Stills from Nick & Norah's Infinate Playlist (click for larger image)







More Nick & Norah's Infinate Playlist


Paperback Book

Soundtrack CD

DVD

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